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NSAI Song Camp 301 was held October 21-23, 2007. This song camp was the last in the series and I was very excited about going. I also ordered tickets to the Bluebird Café for the late show on Tuesday night.
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Faded photographs, a favorite teddy bear, toys, and dolls evoke memories of childhood. Along with these, you have recollections of vacations, holidays, and family gatherings.
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From the moment in November 2006 when I decided to become a songwriter my life had a purpose and a goal. Although I could dimly see my destination, I was on a day-to-day journey not knowing exactly what was next. Going to Blue Ridge Song Camp was a huge step on that journey.
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Make something that did not exist before you created it. Make some art: compose music, write a poem, draw, or, live as only you can. You are the only one living right now, in this moment, with your experiences, with your dreams, with your abilities, and with your unique perspectives. The world needs your art. You need your art.
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After my trip to Nashville, for the Song Camp 201 in May 2007, I began voice lessons with Ron Browning. He is a vocal coach who was, at the time, also a teacher at the Nashville Jazz Workshop. In June, he was going to be on the faculty at the Blue Ridge Song Camp. Although I had only had four lessons with Ron, I already deeply respected his opinions and advice. He urged me to attend.
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During October, in the South, the earth begins its yearly process of becoming cold and barren. By December, trees look like bony specters with empty, naked arms reaching out to the sky. Their crunchy, brown leaves lay scattered across the ground. People are bundled in coats, gloves, and hats which inhibit movement. The weight of these heavy fabrics press in on our bodies. We are looking for spring and the freedom of the flowing cotton garments of warmer months
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Song Camp 201 was offered May 20-22, 2007 and I decided to attend. It was limited to forty-two people and offered six song critique sessions. The faculty for Song Camp 201 was Walt Aldridge, Rick Beresford, Craig Carothers, Don Henry, James Dean Hicks, Ralph Murphy, and Hugh Prestwood.
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I want to be creative, feel confident in who I am, and have inner calm. I want to accept failures, learn from them, and then move ahead. Finding the path to do this and finding inner peace began, for me, with saying, “I am letting go.”
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I drove to Nashville on Thursday, March 29, 2007 for the NSAI Songwriter Symposium. The night before I left, I read my pastor’s sermon from the previous Sunday about providence. It convinced me to be on the lookout for providence during my trip—and assume that everything that happened and everyone I met was providential. That idea changed how I perceived the people and events around me.
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I wrote this anthem in January of 2018. The text by Frederick William Faber is one of mercy, inclusion, and love. This image he uses of God’s mercy being like the wideness of the sea is the seminal idea for the anthem. And, it is also the foundation for the tone painting throughout the anthem.
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