Song Camp 201 was offered May 20-22, 2007 and I decided to attend. It was limited to forty-two people and offered six song critique sessions. The faculty for Song Camp 201 was Walt Aldridge, Rick Beresford, Craig Carothers, Don Henry, James Dean Hicks, Ralph Murphy, and Hugh Prestwood.
I want to be creative, feel confident in who I am, and have inner calm. I want to accept failures, learn from them, and then move ahead. Finding the path to do this and finding inner peace began, for me, with saying, “I am letting go.”
I drove to Nashville on Thursday, March 29, 2007 for the NSAI Songwriter Symposium. The night before I left, I read my pastor’s sermon from the previous Sunday about providence. It convinced me to be on the lookout for providence during my trip—and assume that everything that happened and everyone I met was providential. That idea changed how I perceived the people and events around me.
I wrote this anthem in January of 2018. The text by Frederick William Faber is one of mercy, inclusion, and love. This image he uses of God’s mercy being like the wideness of the sea is the seminal idea for the anthem. And, it is also the foundation for the tone painting throughout the anthem.
When I arrived at NSAI Song Camp 101 I was eager to learn. I took pages and pages of notes. The following information from those notes captures tidbits of advice and inspiration from these wonderful teachers. Even though some of the information is specifically about songwriting, it also is helpful for anyone wanting to learn how to adapt a creative mindset.
Every day can be a day of creativity. Many people say they feel more alive and are happier when they are creating. We need to create every day to build our creative muscles. It would be good to just simply dive into some project, but what doubt or fear keeps us from being creative?
I left for Nashville Saturday, February 17, 2007 about midday. For the song camp we were told to bring three songs for critiques but, I had five songs on my CD because I wasn’t sure which ones I wanted to share. As I got to the north side of Birmingham I slid the CD into the player and listened intently.
I wrote “. . . As the mist resembles the rain” for Flute and Piano in 2002 for friend and flutist, Jane Weigel. The piece is a lyrical work for flute and piano inspired by Henry Wadsworth Longfellow’s poem “The Day Is Done” (1844).
Being around other songwriters, having classes with pro writers, and hearing live music in classes and concerts was life-changing. Some of the best advice I received was when someone told me, “The only one who’s seen the world through my eyes is me. That is special and unique.”
Being creative is difficult. I have trouble settling on creative projects, working on projects, and finishing projects. My mind often becomes like tangled train tracks not knowing which direction to go or what track to follow.
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